It can’t all be work and social issues and murder movies — sometimes the internet is about weird, soft marshmallow people and their quest to find something to do. Don’t think about it too much, and enjoy. Mondays are tough enough as it is, right?
Hollywood is making a live action version of the anime classic Akira? Well, um.. okay. I can’t really imagine how that will work, but I guess I’m willing to wait and see.
Wait, Hollywood is making a live action version of the anime classic Akira with the leads being played by pretty white guys? And Robert Pattinson is short-listed for Tetsuo? Oh.. well I’m willing.. to.. wait.. and.. AHHHHHHHHHHH. WHYYYYYYYYYYY.
I believe this YouTube video shows some rushes from the new production. *cough*

So, um. Well, you see. That.. um. It.. um. Huh.
Looks like some toy company could have used more focus testing. There is also a really bad “pull my finger” joke in here somewhere, but you’re on your own for that one.
Have a good weekend.

Ooh, that's gotta hurt.
“One does not just QWOP into Mordor.”
Oh yeah, that was a little dork humor, but it does introduce us to QWOP, aka “The Hardest Game in the World”. It’s not complicated or high-concept: you are an Olympic athelete and your job is to run 100 meters using the four (just four) control keys. Wondering how hard it could be to walk? Try it for yourself. Seriously, go ahead. It’s just a browser game, and we’ll wait.
Unless you are a physics genius with a hell of a lucky streak, you fell down. A lot. Possibly backwards. The game says that we’re all winners, but let’s be honest: we’re not. And as if to add to the indignity of poor QWOP-dude, if you’re like me you laughed uproariously at his contortions and concussions.
Before you say it can’t be done, this fellow finished the 100m like a gazelle, including navigating the hurdle (!) at 50m. This guy never finishes the race during his “Let’s Play” video, but seems to be having a good time nonetheless. (Note: that last link has pretty vulgar voiceovers, so you might want to turn it down at work.)
And if you’d like a little insight into the mind that created this piece of work, he just recently did an “Ask Me Anything” thread on Reddit. For the record, he seems to mightily enjoy the fact that he’s driving the internet crazy.
PS: My record is 4m. Take THAT.
"painting" by Alexa Meade
Alexa Meade makes art with paint, but her canvas is not cloth or plaster… it’s the human body. Her work may look like an impressionist-flavored flat oil painting, but there are real people in each one. Don’t believe us? Just look at their eyes. It’s rather mind-boggling and just a smidge creepy.
(Spotted on Bored Panda)
The food factor should always be massive: four Bloody Marys, two grapefruits, a pot of coffee, Rangoon crepes, a half-pound of either sausage, bacon, or corned beef hash with diced chiles, a Spanish omelette or eggs Benedict, a quart of milk, a chopped lemon for random seasoning, and something like a slice of Key lime pie, two margaritas, and six lines of the best cocaine for dessert…
— Hunter S. Thompson on breakfastYeah, I’m not sure what’s going on here either. (via Designer Daily)

Peacock, 2010
Peacock is a complicated movie to review, as much as it was to watch. As a film that revolves around the secrets of a disturbed man, much of the story is hidden at the outset, to be slowly revealed as we go. I came into this film expecting something very different from what I got, even if the end result was still quite good. Likewise, it is hard to review without revealing too much and risking the viewer’s ability to be surprised as the film slowly exposes the central plot. I felt this was part of what made the movie so satisfying to watch; you are injected into a world that is obviously a result of a great deal of unspoken history, which the director shows to us with skillful and understated interactions between the characters. Knowing what to expect robs the movie of its greatest asset: the ability to make the watcher reassess what they know from what they’ve seen already.
The gist of the film focuses on a man, John Skillpa (played by Cillian Murphy, who sweats, twitches and stammers with the best of them), in small town Peacock, Nebraska. He lives in the house that belonged to his abusive and possibly insane (and now deceased) mother, brings lunch in a brown paper bag to his basement office at the town’s bank, and avoids contact with his neighbors and coworkers. When he gets home, he quietly and with great formality dresses in womens’ clothing and a wig, moving about the house in a sort of domestic contentment until it is time to leave the house for work the next morning. One gets the immediate impression he has lived like this for some time. When a train goes off the tracks near his home and plows through his backyard, he is suddenly thrust into the town’s spotlight, and as his secrets are exposed, he begins to disintegrate under the pressure, ultimately completely breaking down in a…very unexpected fashion.
The plot of the movie thrives on secrets, both John Skillpa’s, and those of the few other people in his life. As they are slowly revealed to the viewer as the film goes on, each new piece of information pulls back another curtain on his mind, showing us the depth of the damage he is concealing. He begins the film portrayed as something of a known quantity to the audience, but as his secrets are revealed, the director manages to transform the character slowly and subtly, as his mind cracks under the pressure of the town’s scrutiny, turning him from a tragic figure to a disturbing one, before a finale that is equal parts sinister and heartbreaking. While Cillian Murphy’s portrayal of John Skillpa is a little over the top at times, most of the acting in the movie is very understated, with a script that seems almost loathe to say more than it has to. This worked for and against the movie, I think – sure, it gave the director excellent control of the pacing of the plot, as he handed us tidbit after tidbit, but at times it left me feeling adrift in the story, unsure what was going on, and forced to simply wait passively for the characters to reveal what I didn’t know yet that would tie it all together.
At day’s end, an excellent if very slow burning thriller. Maybe not a good party movie, but definitely a rewarding watch. I give it a solid three stars.
Provocatively [Kelp Harvester Mrrlrrgrrlrr] extended one webbed foot towards him, tempting him with that which no former Highborn lady could offer, those most tender and intimate morsels of flesh: toes.
— The very clever Ratshag at Needs More Rage takes on a naga-on-murloc love scene, much to the dismay of all his readers. We hope it's dismay, anyway.- 1
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