
Sucker Punch, 2011
It’s been a long time since I saw a movie as bad as Suckerpunch. Let’s get that out of the way now. The script, the acting, the directing, virtually every element of the fundamental structure of the movie was deeply, fatally flawed. The lines the actors were forced to read, sometimes with visible difficulty, were atrocious. The film’s narrative was disjointed and largely incoherent. The “twist” ending was telegraphed so far in advance, I could have slept through the entire second act and still given a detailed breakdown of how the movie ended. Frankly, I almost wish I had. Let’s not kid ourselves, this flick was BAD. But even in the midst of all this determined awfulness, there are a couple of bright points. So let’s move on from Suckerpunch’s many failings, and focus on the movie’s one saving grace, the combat sequences.
The action director for the movie deserves a solid round of applause. The combat was big, both in scope and in drama, visceral, and was always very, very pretty. The girls’ martial displays were elegant, lyrical and a pleasure to watch while they carved a path through crowds of faceless, CGI-spawned mooks. Snyder has a lot of experience using CGI landscapes to good effect, both in 300 and Watchmen, and he uses that to good effect here. The dreamscapes the characters rampage through are a delight; giant temples, “Heavy Metal”-inspired World War 1 trenches, and futuristic alien cities. Even when I was actively trying not to listen to the dialogue, I was glued to the screen for the visuals during the combat.
Given all of that, Suckerpunch can be viewed as the most recent blow struck in Zack Snyder’s continuing war of style against substance – a deliberately vapid movie that exists only to display a large amount of nubile young girls in skimpy outfits hacking their way through armies of sluggish monsters. It’s stupid, sure, but it’s not meant to win awards, it’s just here to tittilate us. The movie is all surface, with absolutely nothing under the hood, like a Lamborgini chassis put on a go-kart motor. But for some people, that’s the perfect ride.
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Jessica adds: Warner Brothers released the first six minutes of the movie today to lure in more hapless viewers, I suppose. Be aware that these are six of the best minutes — it doesn’t sustain this pace.
Tags: genre, sobaditsgood, youtube